To become involved in the Confluence Museum is to be a stakeholder in an exceptional and exciting adventure.
This is an opportunity to truly engage your firm,
to go beyond your brand and its strategy, into a cultural and scientific arena, unique in its open-mindedness and the diversity of its approach.
Eight Excellent Reasons to Become a Patron
1. The Confluence Museum of Science and Societies is the very first museum of this kind in France.
2. These treasured collections are vast and diverse, a multitude of rare masterpieces.
3. The magnificent architectural masterpiece is 22 000 m², a unique creation adapted to the cultural objective of the Museum; developed by
an Austrian architectural firm, renown throughout the world.
4. The Confluence Museum is part of an international network, committed to exchanges and knowledge transfer. It is developing many long lasting partnerships with global, scientific, technological and cultural institutions, through the loan of their collections and the participation in major exhibits in numerous countries...
5. This original cultural place, calls upon a breadth of scientific, technological and artistic disciplines, providing a place to gather, to share and to question and explore knowledge, in an engaging atmosphere, open to the world...
6. The aim of the Museum, through scientific precision and rigor in its information, and its philosophy of learning, with a clear pedagogical approach, challenges generally accepted ideas, fears, and mistaken beliefs. Encouraging the diffusion of innovation and the understanding of important issues facing society such as ecology; and in aiding the advancement of technology and innovative techniques...
7. The Confluence Museum is based on a set of projects, the construction and the life of a building, designed to meet the demands and the commitment to High Quality Environmental Standards (ie. minimizing energy use, management of resources)...
8. The creation of Confluence Museum in Lyon, at the very heart of Europe, gives it a powerful visibility and a distinct prominence as a pioneer in museography.
